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He was refused to have a recording session by 2 Music Recording Companies such Senola and Megaphone with the latter refusing to listen to Hemanta's voice. Some lyricists of the highest calibre such as Bani Kumar, Ajay Bhattachary, Shailen Roy penned very enriched and poetic lyrics for the celebrated singers such as Pankaj Mallik and Saigol to lend voice. A number of noted Rabindra Sangeet singers such as Shantideb Ghosh arose in the Bengali Music Horizon to enrich Rabindra Sangeet with their celebrated voices. But his journey to proceed with a music career wasn't so easy at the time when Music maestro Pankaj Mallik dominated the Bengali Music and brought "Rabindra Sangeet" to the fore of the Mass listeners. Singing was just a hobby initially to him But after his first stint as singer at AIR, he found indomitable interest in music than ever before. Hemanta never intended to take up music as his profession. At that time it was a matter of great fortune to get an opportunity to sing in a Radio Program. Once Hemanta passed the audition test, After composing the music himself, he sang the song "Aamar Gaanete Elo Naborupe chirontoni" written by Poet Subhash Mukherjee in AIR at no remuneration. Subhash encouraged Hemanta to have try his luck in singing a song at AIR. Subhash Mukhopadhyay was instrumental in introducing Hemanta to All India Radio ( the sanctum scrotum of Indian Music ). It was the jest of Subhash that acted as a catalyst to mould Hemanta into groove in music.
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Hemanta used to visit his Poet friend Subhash Mukhopadhyay and used the latter's harmonium as he didn't have his own at that time. Having grown deep interest in Bengali Literature, he along with Subhash and other friends formed "Kalyan Sangha" a literary club to bring out a handwritten magazine. While studying at the Mitra Institution, he met Poet Subhash Mukhopadhyaya who went on to become his best friend. Hemanta studied in Nasiruddin Memorial High School and then in Mitra Institution. Despite opposition from his father, Hemanta could continue singing because of his mother's inspiration. But destiny couldn't prevent him from his son's carving out a niche in music career that blossomed into a legendary status later. He never thought that he could've a successful music career. His father wasn't too satisfied with his son's penchant for music. But his mother wanted her son to become a reputed singer like Pankaj Mallik and Saigal. His father wanted him to be an Engineer and earn a lot of money through this profession.
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His father used to have a small profile job with which he used to manage the family. But very soon he and his family moved to Kolkatta. He was exposed to jatras and kabigaans in his childhood that ultimately made an impact on his music career. He passed his childhood days in a village called Baharu in Jainagar where he developed a liking for music. His younger brother Amal Mukherjee was a singer and music director. He was the middle amongst his three brothers. His father's name was Kalidas Mukherjeee and mother's name was Kiran Bala Devi. Hemanta Mukherjee was born on June 16, in 1920 at Baranashi in his Maternal Uncle's abode. If we were to find a synonymous word "All rounder" in the Cricket Term, he can be dubbed as a genuine all rounder who was not only an extremely good singer of the highest calibre, but also a good music composer in his own right. Such prolific and effervescent eulogy showered upon Hemanta is not at all unnatural given the fact that Hemanta Mukherjee revolutionized the Indian Hindi and Bengali Music post World War II and brought to the fore a millennium which got the sobriquet as "Hemanta Yug". She further commented that Hemanta Da was not only a fabulous singer, but also a great composer of unsurpassable talents and that his music was blended with the music of Rabindra Sangeet, Bengali Folk songs, the regional music elements of Assam and Bengal and Classical and Devotional Songs.
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Lata Mangeshkar - the melody queen and the nightingale of India commented that while listening to Hemanta Da, it would seem to her as if a saint were singing inside a Temple. Salil Chowdhury - dubbed as one of the best and the most versatile multilingual music composers of all time was often quoted as saying that if God were to sing, He would have sung the way Hemanta Da used to sing. Two of the best ever adulations showered upon Hemanta came from Salil Chowdhury and Lata Mangeshkar.